Here's a snippet from Charlie Kaufman's script for the brilliant "Synecdoche, New York." I can't get the movie out of my head, and I can't wait to see it again.
In this scene, Caden (Philip Seymour Hoffman) is at an appointment with his therapist, Madeline (Hope Davis).
I finally decided to join the rest of the world and buy a MP3 player.
I purchased the 16GB Creative Zen, which Amazon has on sale for a meager $138. My reasons for going with the Zen over an iPod are many, but I'm going to wait until I actually have the player in my hand before I start talking about it.
1. One of the most bizarre movies I have ever seen. 2. Essentially about everything. 3. An amazing display of female performances. 4. Occasionally maddening. 5. The best film I've seen so far this year.
I'm doing a phone interview with Charlie Kaufman tomorrow, and I'm a bit worried.
How does one interview one of the most inventive writers in the history of film? Kaufman's brain contains more intelligence and wit than I will ever obtain, and so, what kind of questions does a lesser mind ask when interviewing one of its heroes?
Will Kaufman think I'm dumb? Will he be able to detect my young age and the resulting inexperience of life that comes with being young? Will he humor this beginning journalist's attempt to ask thoughtful and interesting questions?
To quote Maxine from Being John Malkovich, "we'll see..."
Here's the great opening of Woody Allen's Manhattan (1979).
Although, wouldn't it have been even better if Allen wasn't talking over the majority of it? That juxtaposition of Gershwin and New York is so innately powerful that it could have carried the entire sequence all by itself.